It’s a Dog’s Life

Tallyho!

What follows is a deep dive into a somewhat notorious episode of Murder, She Wrote, “It’s a Dog’s Life.”  You know, the one where the dog did it.  Sort of.  There are more spoilers to come, so I recommend watching the entire episode first, ideally after a proper breakfast.

Ladies and Gentlemen, to Horse!

MSW’s very picturesque foxhunt

Welcome to rural Virginia and the world of traditional foxhunts.  This American subculture is a romance of horses, hounds, time-honored traditions, and the appearance, if not the reality, of gentility and wealth.  This is not a sport I knew much about going into this episode, so it was interesting to learn little bit about foxhunting as I prepared to write this post.  Happily, a traditional foxhunt is all about the chase, rather than the killing, of a fox.  However, this proletariat can’t help but reflect on the implicit classism, and, in the United States, the legacy of slavery, that made this type of leisure possible for the wealthy few.  For this reason, I feel very conflicted about the continued celebration of this tradition. However, I cannot deny the beauty and romance of the extended horseback sequence that opens the episode.

The Players

All the king’s horses and all the king’s men, in the order we meet them:

Sawdust

Sawdust is a mild mannered old gray. I think we can safely assume he is not complicit in the unfortunate events that befall him.

Trish Langley

Trish is the younger daughter of Denton Langley. She is a deeply unhappy woman and probably an alcoholic.

Spencer Langley

Denton’s son Spencer is unsuccessful in his efforts to manage Langley family matters.

Echo Cramer

Echo lives up to her name, and simply seems to reflect back the negativity her family sends her way.

Morgana Cramer

Morgana is a well-meaning but ineffectual spiritualist. She also serves as the episode’s batty Cassandra.

Denton Langley

Denton is the gold standard wealthy-patriarch-cum-murder-victim trope.

Cousin Jess

A world-famous writer and an infamous rider, what a nice turn of phrase.

Tom Cassidy

Poor Tom has only 600 acres next door to the Langley estate, which, according to the USDA, is considered a medium-sized family farm.

Abigail Benton Freestone

Abby is Jessica’s cousin and Denton Langley’s horse trainer.

Teddy

Teddy is an intelligent, well-trained, and, ultimately, very wealthy beagle.

Marcus Boswell

Marcus is a gentile small town lawyer.

Repeat Offenders

If you’re a MSW fan (and if you’ve read this far, you are) I’m sure you’ve recognized a few actors who appear multiple times throughout the series, but in different roles.  Check out The Rogues’ Gallery for more details. In addition to the actors playing some of the secondary characters already listed above, the following actors play supporting roles this episode, and will reappear in future episodes.

Where in the World is… Greenville, Virginia?

Greenville is small, rural community in Virginia’s Shenandoah Valley. So small, in fact, that one might wonder if the writers missed it on the map and had actually intended to create a fictional place. On the other hand, the real Greenville is a good fit for the storyline. The Langley estate is set in a rural area of Virginia. Real Greenville is also within a reasonable traveling distance of Washington, D.C., which is mentioned a few times in the episode.

When Are We?

Dear readers, it gives me so much pleasure to share with you my very specific estimated timeframe for this episode’s events:

Original Airdate

The first guiding principal I use in my work on the MSWSW canon timeline is to place an episode’s events before, but as close as possible to, the initial airdate. This episode first aired on November 4th, 1984.

The Oeuvre of J.B. Fletcher

At the beginning of the episode, Jessica is acknowledged as a famous author, so we know these events take place after April 1984. Unfortunately, we are not given any additional information about her oeuvre. We can, however, begin to establish a possible timeframe of April through early November 1984.

Foxhunting in Virginia

The episode opens with a scenic and catastrophic foxhunt. Foxhunting season in Virginia can run, broadly, from September through March. This narrows our timeframe to September through early November 1984.

Foliage in Maine

Jessica tells Abby that the maples are turning in Cabot Cove. Fall foliage season in Maine is late September through late October. This narrows our timeframe further, to the limits of leaf peeping season down east.

A Full Moon

Trish’s murder is on the night of a full(ish) moon.  The only full moon to coincide with Cabot Cove’s 1984 fall foliage season is on Tuesday, October 9, 1984.  Since to the naked eye a moon can appear full for about three days, the window for Trish’s murder is Monday, October 8 through Wednesday, October 10, 1984.

A bad moon rising over MSW S1 E5: “It’s a Dog’s Life”

The Days of the Week

I’ll break the timeline down further in the next section, but for the purposes of assigning dates to this episode’s events, I do want to cover a few of the details here.

Jessica states that both deaths (Denton, then Trish) happen within a week.

The inquest for Trish’s murder takes place on a Friday. The Friday following the window for Trish’s murder is Friday, October 12th, 1984.

During the inquest, Jessica states that she saw Marcus Boswell’s tire tracks two days ago (Wednesday, October 10th). Jessica had occasion to observe Marcus’ tire tracks the day after Trish’s murder, which must have then taken place on the Tuesday night, or more specifically, during the very early hours of Wednesday morning.

Allowing enough days for Sawdust to be lost and found, Denton’s will to be read, and Teddy to be framed as a ferocious little dog, my best estimate for this episode’s timeframe is Saturday, October 6th through Saturday, October 13th, 1984.

The Timeline

Saturday, October 6th, 1984

Morning

A mysterious figure clad in a black jacket dopes Sawdust the horse.

Denton shows Jessica his valuable collection of paintings, including a close up of a legit (reproduction, I’m sure) painting of American Eclipse by Edward Troye. (Fair warning, I use the inclusion of this very lovely, accurate detail to justify my ire at some of the lazy, but otherwise inane, continuity errors this episode.)

Everyone easts, drinks, and makes merry at a traditional hunt breakfast. In retrospect, Marcus Boswell is conspicuously absent given his close relationship with the Langley family.

Midday

A very scenic foxhunt ends in tragedy when Denton Langley is thrown from his horse, Sawdust, after a risky jump. Cousins Abby and Jess suggest foul play to the sheriff and veterinarian.

Evening

Off camera, Sawdust is found and tested for drugs.

Sunday, October 7th, 1984

Abby and Jessica learn that Sawdust’s drug tests were negative. Jessica stops packing and offers to stay with grief-stricken Abby a little longer, until after the will is read.

Monday, October 8th, 1984

Morning

The Langley family enjoys breakfast beverages. Boswell is four minutes late to the will reading.

The assembled party enjoys the “latest in will technology.” Denton gets the last word, and his estate goes to the dog.

Later

Off camera, the remains of Monday provide the window of time Spencer Langley would need to meet with Asa Potts and plot their ruse for the next day.

Digression

I feel the need to acknowledge that Monday, October 8th, 1984 was Columbus Day, a holiday that is federally recognized in the United States, but on which most markets and businesses remain open. (Indigenous Peoples’ Day did not gain widespread recognition in the U.S. until the 1990’s.) I feel comfortable in my assumption that both the Langley family and Marcus Boswell would choose to continue with the business at hand on this day, quasi-holiday or not.

Tuesday, October 9th, 1984

Morning

Jessica phones Ethan to explain that she will further extend her time in Virginia, since Abby is still suspicious about Denton’s death. (I can just picture Ethan, a bit downcast, watering Jessica’s houseplants, waiting for her to come home.)

Jessica had originally planned to leave after the will was read, I suppose because Abby had expected to be immediately dismissed by the heir(s).

Instead, Abby decides to stick it out a little longer in the service of her new employer, Teddy. Everyone decides the best thing to do would be to go riding and hurl insults and threats at one another.

Teddy is then caught in a very compromising position in the stable, and after the vet and sheriff return to the Langley estate, he gets sent to the dog house.

Afternoon

Boswell calls Abby with the good news that Teddy has been released on his own recognizance.

After retrieving the poor little pup, Jessica and Abby visit Boswell to discuss their concerns about trumped-up lawsuits against Teddy. Morgana Cramer and her big city lawyer pass by on their way out, and then it’s down to business.

They are briefly interrupted when Boswell takes a suspicious phone call.

Wednesday, October 10th, 1984

2:00 A.M.

The aforementioned full moon illuminates the night sky. “Just like clockwork” Teddy visits Barnes in the Langley security room.

Trish’s car approaches the front gates, which are closed. The driver stumbles out of the car to use the intercom, and after Barnes presses the gate button, falls between the opening gates. Barnes leaves Teddy in the security room while he goes to assist the driver, whom he believes to be Trish, “drunk again.”

Before Barnes reaches the gates, they close, and Trish meets a gruesome end.

clockWORK

There’s a clock in the security room that reads 10:50 just before Trish’s murder, but it’s easy to miss.

However, the same clock, reading 11:45, is definitely an intentional part of the frame in this scene after the murder.

Well, I guess we’ll let Jessica have the last word about the time of the murder.

before dawn

The authorities arrive to investigate Trish’s death. The remaining members of the household gather in the main house, and are soon joined by Boswell and Tom Cassidy. Numerous clues fuel competing theories about the identity of the murderer.

After sunrise

It rains.

The distinctive shield shape on this sign indicates it is for U.S. Route 202 South, which runs from Maine to Delaware, and does not pass through Virginia.

Abby and Teddy commiserate in lock up.

Jessica and Boswell try, unsuccessfully, to convince the Sheriff of Abby’s innocence.

Digression

Initially, I thought this episode made a case against the practice of electing sheriffs, since Jessica had some choice words about this one. However, after rewatching, it’s my opinion that the Greenville Sheriff was making an honest job of it. If an animal was trained to assist with a murder, Abby is the most likely suspect. And, he’s right, Abby did have a thing for Denton, and Jessica was kin.

Later Wednesday Morning

Boswell drives Jessica back to the Langley estate, and she asks to be dropped off about 1/2 mile from the gates.

She seeks two crucial pieces of evidence; one she finds immediately, and the other she only finds after some help from that cutie-patootie, Deputy Roxie, and one of those fancy new metal detectors.

Wednesday Afternoon

Off camera, I imagine this is the time Jessica, possibly with the assistance and support of Deputy Roxie, makes her case to the coroner and becomes a friend of the court.

Thursday, October 11th, 1984

A wardrobe change indicates a new day. Echo and Jessica wish each other good morning. Jessica goes to “see a man about a dog bite.”

Jessica interrupts Pott’s morning of mountain man multitasking (chew, chainsaw, moonshine, repeat…) when she attempts to abscond with his fake bandage. Don’t worry, there will be no repercussions for any of this – guns, fraud, trespassing, who cares.

Friday, October 12th, 1984

Are you tired? I’m tired. Friday is the inquest, and Jessica, with the help of an amenable coroner, a baby-faced deputy, and Teddy’s estimable training, exposes Trish’s murderer.

Saturday, October 13th, 1984

Cousin Abby, happy to once again be a free woman, packs it in and heads home to Kent. Still-wealthy Teddy gets his dream job, lol.

The End.

Show Your Work

Fair Play Pause Point

In the early morning hours after Trish’s murder, we get to watch Jessica piece it all together. However, she does not feel she has conclusive proof of the murderer’s identity until later that day, after Boswell drops her a short distance from the Langley estate.

This episode gives us more than fair play, we the audience have all the information that Jessica does, plus one more important clue. It’s more than enough to solve the puzzle at the same point as Jessica, even if the murderer seems to have made some confounding choices.

Denton’s Murder

The opening scene gives us a piece of information that only the audience knows; Denton’s horse was drugged before the hunt, by a person wearing a black jacket.

The hunt party is formally dressed; all the men are wearing red jackets and all the women are wearing black ones, except Jessica, that gauche yankee.

We know that the family all hoped to benefit from Denton’s will, but we can eliminate Spencer as a suspect, because he is wearing red. Also, even though she is wearing black, we can eliminate Abby, because she has no motive to kill Denton. That leaves three possible suspects in Denton’s murder: Trish, Echo, and Morgana.

Trish’s Murder

After Trish’s murder, a number of clues are presented, including a couple of red herrings.

Teddy’s Pawprint

The forensics team lifts a pawprint from the gate button in the security room, indicating that Teddy was the last, erm, individual to use it.

Trish’s Coat

Jessica and Deputy Will Roxie discover that the lining of Trish’s new coat has been torn, indicating that it was donned in haste.

I’m going to posit that the wearer was also larger than Trish for the lining to tear like that. It’s a high quality coat, after all.

NightBird’s Call

Both Morgana and Barnes heard bird calls at the time of the murder.

Boswell’s Trousers

Boswell has a distinctive grease mark on his trousers. His explanation is a little bit fishy.

BoSwell’s Flat

When Jessica notices the stain on Boswell’s trousers, he says he had a flat tire on the way to the estate, and had stopped to change it about 1/2 a mile from the gate, for about 20 minutes.

Abby and Boswell agree that this means that the murderer could not have left the Langley estate without being seen by him, and therefore must be a member of the household.

Maybe it’s because it’s the middle of the night and everyone is shocked and exhausted, but this is completely illogical and/or incriminating on its face. It implies that there could have been no time between the 2 a.m. murder and Boswell’s drive to the Langley estate. But there must have been, because Boswell would have received notification of the accident via a 1984 landline telephone from Barnes, the police, or the family at least several minutes afterwards. Alternatively, he could have also been listening to his CB radio all night, like Tom Cassidy, but again, time enough at least for Barnes to alert the police would have elapsed. Further, the police were already onsite and investigating when Boswell arrived, making whatever he claimed to see or not see while changing his tire moot.

Morgana’s Vision

After learning about the pawprint on the gate button, the torn coat, and the bird call at the time of the murder, Jessica can provide a logical explanation for what Morgana saw from her window.

Abby’s Whistle

The police find Abby’s dog whistle near the gate. We never find out if this was an intentional misdirection from the murderer, or just a unfortunate coincidence. Probably the latter, since we later learn the murderer was trying to implicate Spencer, not Abby.

Boswell’s Treads

We’ve got some dirt on Boswell now. His tire treads seem to be evenly worn, indicating that his spare tire story is, well, flat.

The Bicycle Clip

At the inquest, Jessica confirms that a bicycle clip was found about 1/2 mile from the gates. Her theory is that the murderer fled the scene on foot and retrieved a bicycle hidden about 1/2 mile down the road, misplacing a bicycle clip at that point.

But why there? Jessica knows Boswell’s story about a flat tire is bogus, but believes the 1/2 mile distance holds some significance. Why? Perhaps, because Boswell’s flat tire story was off the cuff, it might contain some half truths? Unfortunately, her reason for linking the location of the fake flat to the location of the bicycle clip is never explained, and it’s a weak point.

J’accuse!

No one walks around in greasy trousers in front of Jessica and gets away with it. It was Boswell, because concocting this Rube-Goldberg-meets-Dr. Doolittle scheme was the only way to keep charging legal fees to the Langley estate.

Thanks, I hate it.

The writers chose a patently absurd premise – what if the dog did it? – and instead of making it perform clever tricks to delight us, just let it chew the upholstery and make a mess on the carpet.

There were so many simpler, equally effective ways to bump off that notorious drinker, Trish. A few stiff drinks and a blow to the head would have been perfectly sufficient to suggest a drunken accident. There was no need to gild the lily by elaborately beheading her in front of poor Barnes.

Our in-episode subject matter expert, Abby, says “endless repetition” is required to train a dog to perform tricks like pushing a specific button, or scratching at a specific door at 2 a.m. every night. This would have meant that Boswell spent hours and hours alone with Teddy at the Langley estate, long before either murder, without raising suspicions. Jessica simply says Boswell “had access” to Teddy, and that’s supposed to be a satisfactory explanation.

Framing Teddy to incriminate Spencer is an utterly unnecessary ploy to keep the legal fees flowing. As we saw during the episode’s rising action, Boswell could have relied on Spencer’s shady attempts on Teddy and Morgana’s more civilized lawsuits to provide continual reasons to draw money from the estate. Adding a murder on top would only invite unwanted scrutiny.

This could have been a very diverting episode, if the writers had given us a solution in which it was truly required, or, at least, convenient, for the murderer to use a trained dog. Instead, we are asked to believe that a seemingly intelligent, reasonable man decided that the best course of action was to commit a murder that was unnecessarily complicated, required a literally incredible amount of preparation, and was, at best, tangential to his interests.

Episode Rating

I give “It’s a Dog’s Life” two stars. A very strong cast is unfortunately let down by a weak story.

Bonus Features

Do Crimes.

If this kind of thing interests you, check out my MSW statistical analysis. Also, fun note, this episode, Trish Langley becomes the first character of the series to become both a murderer and a murder victim. Congrats, Trish!

Murder!

  • Culprit: Trish Langley
  • Motive: Hoped to inherit (Greed)
  • Weapon: Sabotaged Conveyance – Specifically, a doped horse
  • Done Deed: We see Trish dope the horse, but Denton’s death happens off screen.
  • Crime Scene: A traditional Virginia foxhunt
  • Discovery: 9 minutes, or 18% through

Another Murder!

  • Culprit: Marcus Boswell
  • Motive: Control of the Langley estate (Greed)
  • Weapon: Rube Goldberg Contrivance – Specifically? Well, it’s complicated.
  • Done Deed: The camera mercifully cuts away just before Trish’s beheading.
  • Crime Scene: A Mercedes, a fur coat, a wrought iron gate
  • Discovery: 24 minutes, or 49% through

Other Crimes!

  • Spencer Langley and Asa Potts: Fraud, for framing Teddy; and assault, for threatening Jessica
  • Jessica Fletcher: Trespass (again!) and attempted larceny at the Potts farm

Psycho Killer

What if Cousin Jess is really a serial killer? Pretty easy this time. She borrowed a black jacket from any one of the ladies at the hunt to dope Sawdust incognito. Jessica was also the mysterious figure at the gate the night Trish was murdered. She pinned it on Boswell by planting a bicycle clip. He really did have a flat that night, and his spare really did have a very worn tread, just like he claimed at the inquest. As for no one passing by for the 20 minutes he spent changing his tire, the police arrived before him, and Killer Jessica never left the estate.

Tropes, Devices, and Other Conventions

Mystery Tropes

Costume

My standard for this trope is that one or more costumes are used to obfuscate the identity of the murderer and/or the victim. So, this episode does technically use the costume trope when Boswell disguises himself with Trish’s coat. However, it just doesn’t have the same delightful bouquet of foreshadowing that a costume party or a stage performance would.

Despicable Victim

As I stated earlier, Denton Langley is the gold standard traditional wealthy patriarch cozy murder victim. However, some patriarchs are more sympathetic than others. Denton is tough to warm to; he seems to revel in being thought of as an old lech, and his last words to his children are just piss and vinegar.

Oddly located corpse

Both bodies conform to this cozy mystery trope; as intended, the novelty of the murder methods keeps the mood light.

Suspicious Phone Call

There are three on-screen phone calls this episode, but only one is suspicious. Why? What makes a murder mystery phone call suspicious? What makes one innocent?

Phone Call 1: Jessica and Ethan

Jessica calls Ethan to explain why she will be delaying her return home. This phone call is innocent because it’s intended to be expository, and because we know and trust the character on the other end of the line, even if we can’t see or hear him.

Phone Call 2: Abby and Boswell

Abby and Boswell discuss Teddy over the phone. This call is innocent because nothing is hidden; we see and hear both sides of the conversation. Also, note the open body language presented by both characters.

Phone Call 3: Boswell and Jim Boy

Boswell’s phone call with his broker is suspicious because we hear only his side of the conversation. Boswell seems to own up to an uncomfortable truth: financial losses from a bad investment. However, his side eye and closed body language indicate that he’s hiding something.

Plot Devices

flashback

We get a wavy flashback scene that explains Morgana’s perspective on Trish’s murder. It’s a little special because it waves out on Jessica and waves back in on Morgana.

MSW Tropes

Infinite Jest

One of the most endearing qualities of MSW is that, quite often, something laughably absurd happens as a plot device. When it succeeds, it adds levity that keeps the murder mystery from getting too dark. When it fails, as it unfortunately does this episode, it undermines the logic that’s needed to provide a satisfying solution.

As discussed earlier, a premise that is patently ridiculous, like “the dog did it!” requires a clear, concise case for why it was the best choice, or at least one among equally reasonable choices, for the murderer. Otherwise, the solution is just silly, and a big let down for the audience.

Nay, Tarry

Jessica extends her visit with Abby twice in order to unravel this episode’s strange events. Our lady is typically waylaid by a wrongful arrest; in an unusual sequence of events, Abby is not wrongfully arrested until after Jessica decides to remain longer in Greenville.

Smile and Smile

In the wake of two violent deaths, the surviving characters manage to have a final laugh about Teddy’s future prospects.

Le Mot Juste

This episode, Cousin Abby gets the best line: “Around here, some of the real beasts walk on two legs.”

What She Wore

This episode wasn’t a sartorial standout for me, but there were a couple of scarf variations to add to the collection, and I enjoyed the formal riding attire.

How to Wear a Scarf

Jessica’s Best Look

Best Look Overall

Best look goes to Morgana at the inquest. I love the beret.

Honorable mention goes to the well-coiffed Echo. As Jackie Kennedy said, “Pearls are always appropriate.”

Least Best Look

It’s a tie! Pun intended!

Interior Motives

Speaking of ties, Abby and Boswell are neck and neck in a competition to see who can collect the most house plants:

The Rest of the Story

After the inquest, the remaining members of the Langley family depart Greenville. Spencer resumes his work as a D.C. lobbyist. Morgana and Echo return to London, where Professor Cramer, husband to Morgana and father to Echo, recently accepted a prestigious fellowship in classic Greek literature.

Hm, what’s that? You had assumed that Morgana was divorced, widowed, or otherwise unhappily separated from her husband? Me, too. It turns out, the mild mannered Professor was just far too gentle a soul to endure much time in the company of his overbearing in-laws, so he stayed behind when Morgana and Echo traveled stateside for Denton’s birthday.

Once the Cramer family is happily reunited, Morgana, an accomplished neolithic anthropologist, returns to her work researching standing stones. Being able to throw herself back into work that is both intrinsically rewarding and closely aligned with her spiritual beliefs helps Morgana through her grieving process.

Like her mother, Echo feels unmoored and grief stricken after the Langley family tragedies. She rejoins the London music scene, and spends the next several months reflecting on her experiences and working on her music. During this period she also reconnects with an old flame, and unknowingly inspires his band’s next hit.

Extra Credit

Book Recommendation

For a more deftly handled “the dog did it” premise, I recommend Dumb Witness by Agatha Christie.

Film Reference

There is an in-episode reference to a Stephen King movie about a possessed dog. That movie is 1983’s Cujo, and it is a movie that exists and can be watched. Personally, I think there are better Stephen King movies out there. If Cujo you must have, read the 1981 novel instead.

The MSWSW It’s a Dog’s Life Playlist

For music lovers, this episode inspired the following playlist:

  • “King of the Road” by Roger Miller
  • “Cherry Bomb” by The Runaways
  • “Georgy Girl” by The Seekers
  • “Bring on the Dancing Horses” by Echo and the Bunnymen

Deadly Lady

A stormy Shakespearean tragedy blows through Cabot Cove.

Fair Warning

This episode guide is a deep dive into the details of Murder She Wrote S1 E2, “Deadly Lady.”  There will be spoilers.  There will be what passes for comparative literature here at MSWSW.  I recommend you grab a bite and watch the episode before continuing.

“Rage, Blow, You Cataracts and Hurricanoes”

Welcome to the first Cabot Cove episode of MSW!  It opens dramatically, on a dark and stormy night.  The MSW writers are still fresh and full of ambition.  After taking on Sir Conan Doyle in the series premiere, they move right on to Shakespeare in the second episode.  “Deadly Lady” doesn’t quite merit being called a modern retelling of King Lear; it’s a very standard MSW episode with a heaping measure of Lear flavor in the mix.  The very first notable Lear element is the hurricane, which Ethan calls a “deadly lady.”

Where in the World is… Cabot Cove?

We get a few indirect clues about Cabot Cove’s geographic location in this episode.  Check out this post for more details.  Or, take a stroll around town.

When are We?

My work on a canon MSW timeline continues this episode. 

Air Date

In the absence of in-episode information to the contrary, I assume that the events in question occur prior, but as close as possible to, the initial air date of the episode. “Deadly Lady” first aired on October 7, 1984.

Hurricane Season

The episode opens with a hurricane.  Atlantic hurricane season is June 1st – November 30th

Sunset

After dinner with Ralph on the evening of the murder, Jessica’s kitchen clock reads 7:10, and there’s still enough daylight left for Jessica to make it to Ethan’s boat before dark.  Using sunset times for Portland, Maine, this narrows the possible time period further, to June – August. 

Sunrise

Terry Jones states that Nan was with him in Portland until 4 a.m., just before dawn. This piece of information doesn’t help us any further, however, as the earliest the sun rises in Portland is 4:58 a.m., in mid-June.  How long before dawn is “just before dawn”?  I don’t know, but someone should tell poor Nan that’s when it’s always darkest.

The Oeuvre of J.B. Fletcher

In this episode, we learn that one of Jessica’s novels, Dirge for a Dead Dachshund, is in pre-publication. In S1 E8 – “We’re Off to Kill the Wizard,” Dirge has been published. The MSWSW timeframe for “We’re Off to Kill the Wizard” is July 21 – 26, 1984, so “Deadly Lady” must have taken place before then.

The Days of the Week

We’ll do a deep dive into the timeline shortly, but for our purposes here, it suffices that the events of “Deadly Lady” begin on a Wednesday and end on a Sunday. This gives us a window beginning with the first Wednesday of hurricane season, June 6th, 1984, and ending with July 15th, 1984, the last Sunday before the events of “We’re Off to Kill the Wizard.”

The Players

In the order we meet them:

Jessica Fletcher

The local celebrity and an unofficial police consultant, Jessica is at home and hard at work on her next bestseller.

Captain Ethan Cragg

A local man with a boat, and a good friend to have in a storm.  Is he a fisherman by profession?  Or does he make a living engaging in other boating endeavors?  Perhaps time will tell.

Sheriff Tupper, Jessica, and Ethan confer about this episode’s peculiar events

Ralph a.k.a. Stephen Earl

Taking another page from Lear, the Stephen Earl assumes the guise of an ordinary drifter, “Ralph,” to avoid being recognized.  His true name, Earl, is, of course, an anagram of Lear.  Also, the name Stephen means “crown.”  If only it had been Steven rather than Stephen; we could have anagrammed Lear Events.  Stephen is the patriarch of the Earl family and has strained relationships with most of his daughters. He is lately, and possibly regretfully, retired from his cosmetics empire.

Stephen Earl poses as a hobo in Jessica’s garden

Sheriff Amos Tupper

Amos is the lawman of Cabot Cove.  He begrudgingly accepts Jessica’s assistance when the case becomes more complicated than he’d like it to be.

Nancy “Nan” Earl

Nan is the youngest Earl sister and an aspiring fashion designer.

Maggie Earl

Maggie has read and enjoyed Jessica’s latest book.  She’s described as a frumpy hausfrau, but the actor (Marilyn Hassett) is so young and beautiful that it’s a hard sell.

Game respects game: Maggie watches to see if Jessica buys their story.

Lisa Earl Shelby

Loyal to her sisters, Lisa is also quite brusque, and nearly deserves her husband, Brian.

Grace Earl Lamont

Sad Grace will not stop talking about her long-gone husband, so much so that one begins to wonder if he’ll appear with a smoking gun.  Spoiler, he does not.

Brian Shelby

Dack Rambo has a lot of fun baring his teeth as the ruthlessly ambitious Mr. Shelby.

Terry Jones

Nan’s former fiancé is just as self-interested as Brian, but more spineless than ruthless.

Repeat Offenders

If you’re a MSW fan (and if you’ve read this far, you are) I’m sure you’ve recognized a few actors who appear multiple times throughout the series, but in different roles.  Check out The Rogues’ Gallery for more details.  In addition to several of the secondary characters, above, the following supporting characters are played by actors who we’ll see again, in future episodes:

The Timeline

The events of “Deadly Lady” take place over the course of a five-day period.

Wednesday

Aboard the Earl family yacht, Stephen and Maggie stage Stephen’s fake death.  Stephen Earl goes to shore on a raft.

Thursday

A hurricane blows through Cabot Cove.  Nearby, the Earls’ yacht sends distress signals to the Coast Guard.

Friday

Morning

On her early morning run, Jessica learns that Ethan is out rescuing the distressed yacht.  Hobo Ralph does yardwork and has eggs with Jessica. 

At 8:15 a.m., Jessica and Ralph’s breakfast is interrupted by a phone call. Amos summons Jessica with the best line of the episode.

“I mean maybe MURDER peculiar.”

Jessica meets the Earl sisters.  They claim that shortly after midnight, three miles due east of Monhegan Island, their father was swept overboard by the hurricane.

Midday

Around noon, Ralph uses Jessica’s line to make a phone call to Terry Jones in Paris, Kentucky.  The charge is $9.97, which would be $27.22 in 2022.

Afternoon

Ralph and Jessica discuss classical music, long distance phone calls, and home repairs.  Jessica’s grief over the loss of Frank is palpable as she gifts Ralph his pipe. 

I’m not crying, you’re crying! Give this woman an Emmy.

Brian copters into Cabot Cove and is greeted by Lisa.

Evening

Jessica makes a “boiled scrod” dinner for two.  I think this may be a west coast mistranslation of traditional New England broiled scrod.  Ralph smokes Frank’s pipe.  Regarding children, Ralph says “blessed, ha,” by which he means “how sharper than a serpent’s tooth it is to have an ungrateful child.”  Ralph departs. 

A clue!

Soon after, at 7:10 p.m., Jessica stares at the soapy vortex in her kitchen sink and realizes the Earl sisters couldn’t possibly have known their exact location in the middle of the hurricane.  Jessica meets Ethan on his boat to do map and compass stuff to confirm her suspicions. 

Ethan and Jessica exchange a knowing glance.

At some point between 7:10 and 10:45 p.m., Stephen Earl is killed by two shots to the chest.

Nan meets Terry Jones at the Portland airport at 7:30 p.m.  They check into an airport motel at 9 p.m. Thoroughly modern Jessica clutches no pearls over this.

Night

At the Hill House hotel, the clock reads 10:45.  Maggie confesses to killing her father the night before the storm (Wednesday).  Maggie is taken into custody.  In a continuity error that is fortunately immaterial to the plot, the same clock then reads 10:40.

Jessica sees an early edition of the Cabot Cove Tribune and realizes Ralph is Stephen Earl.  He is not at her house when she and Ethan return there.  Comedic music plays during the search, because lol, Jessica’s got a man in her house, but also, we’ll soon learn he was murdered, so the tone feels off to me.

Saturday

Morning

At 4 a.m. Nan leaves Portland to return to Cabot Cove.

The show briefly takes a very Stephen King turn, when, at 7 a.m., children discover Stephen Earl’s body on Cotter’s Beach.  Leave the traumatized children out of my cozy, please.  If I want to see children find a body, I’ll watch Stand By Me.  Why 7 a.m.?  Because the coroner later concludes that the body could not have been in the water more than 12 hours and places the earliest possible time of death as 7 p.m. Friday.

At 11 a.m. Terry hears about the actual death of Stephen Earl on the local television news in his Portland motel room.

Afternoon
Cobb’s Mortuary

Nan and Lisa identify their father’s (still blinking) body. (Where is Grace?)  Jessica also identifies the body. 

Outside the mortuary, Terry arrives and tells Nan that he flew in from Kentucky that morning, which is bullshit, and she knows it, even though the audience doesn’t yet.  Continuity, people.  Suggested alternative line: “As soon as I heard the news this morning, I had to come see you.”  Less bogus as far as Nan is concerned, but enough of a dissemblance that Jessica can still nail his ass later.

Happy Hour

Back at Hill House, Brian and Lisa have a drink and a scene about Lisa’s family loyalty versus maximizing the Shelby portion of the estate.

Brian and Lisa Shelby confer about this episode’s peculiar events

Meanwhile, at the Cabot Cove Sheriff Station, Maggie explains the fake death scheme she and Stephen planned to expose Terry Jones as a fortune hunter.  Jessica says she gave Frank’s pipe to Stephen Earl the night before last, but continuity again, please, it was simply the night before.


Exonerated by the coroner’s evidence about the gun and time of death, Maggie is released from custody and returns to Hill House with Lisa and Brian.  (Again, where is Grace?)

Nan and Terry have a romantic walk through the cemetery, but Nan still has her doubts.  Agreed.  While I wouldn’t necessarily call romantic interludes at airport motels, mortuaries, and cemeteries red flags, they are certainly sad, gray flags. 

Jessica then has a comparatively less romantic walk through the cemetery with Terry, during which they discuss Anglo Saxon words, and that Terry is a liar liar pants on fire.

Jessica follows Amos to Cotter’s Beach so she can read the suspicious anonymous note left for the Sheriff.  At the beach, they find Stephen’s raft, and a pair of pink shoes, plus a broken heel, in the rocks by the hotel.  Jessica says that the shoes belong to Nan.

Night

Back at Hill House, Nan agrees that the pink shoes are hers.  In an inverted Cinderella moment, Nan puts one of the shoes on her lovely foot to prove it fits, and, at Jessica’s suggestion, agrees to be taken into custody, even though she is innocent.

Later, at the Sheriff’s station, Terry and Amos discuss possible timelines for the murder, but, to my frustration, do not come to any meaningful conclusions.  Worried he, too, may fall under suspicion, Terry abandons Nan.

Huh?

Later that night, Maggie, Lisa, Bart, oops, I mean Brian, and Grace return to Hill House after celebrating Maggie’s exoneration.  In another mistranslation of New England culture, Brian seems to think Nathan Hale has something to do with Maine.  Clearly, Mr. Shelby is not a Yalie.

Jessica is waiting in the lobby with a rather sinister looking paper bag and bad news about Nan’s arrest, which puts an end to the Earl family’s Saturday night fun. 

Jessica, you’re such a heel, lol!

Grace and Maggie agree to allow Jessica to search their rooms for suspicious heelless shoes.  Maggie makes what I’m going to call a pink slip, and Jessica goes home for the night.


A shadowy figure breaks and enters through Jessica’s backdoor.  Eek, oh no, it’s the killer!

Sunday

Jessica and Nan concur that Stephen Earl was “a man more sinn’d against than sinning.” True, since he was murdered.  However, if you have poor relationships with three out of four children, I think that rests with you. Jessica puts Nan in a cab, and she sets off to, presumably, pursue her fashion career dreams.

Show Your Work

Fair Play Pause Point

The audience does not know that Jessica has solved the crime until she is sitting calmly in her darkened parlor, waiting for the intruder to reveal herself.  Because of this, we get one more clue than Jessica said she needed to solve the case.  Jessica actually solved the crime earlier, at the point when they find the shoes on Cotter’s Beach.  And, in this case, the writers have played very fair with us.  We can choose either point, on the beach or in the parlor, and solve the crime with the evidence presented to us.  The only trick is that we need to figure out which suspect had motive, means, and opportunity to both (1) murder Stephen Earl and (2) attempt to frame Nan Earl.

Suspects

We begin with all members of the main cast under suspicion:

  • Jessica Fletcher
  • Captain Ethan Cragg
  • Stephen Earl
  • Sheriff Amos Tupper
  • Nancy Earl
  • Maggie Earl
  • Lisa Earl Shelby
  • Grace Earl Lamont
  • Brian Shelby
  • Terry Jones

Motive

Murder of Stephen Earl

None of the Cabot Cove townsfolk, Jessica, Ethan, and Amos, have motives.  The four Earl sisters, Brian Shelby, and Terry Jones all stand to potentially benefit financially from Stephen’s death.  Additionally, Stephen Earl’s daughters may have had personal motives to kill their father. 

One could debate Stephen Earl’s frame of mind during his time in Cabot Cove.  He was willing to fake his own death, after all, and seems dissatisfied in retirement.  He also discusses his grief as a widower, and has strained relationships with his children.

Framing of Nan Earl

The murderer also attempted to frame Nan for the crime.  Neither Nan herself nor Terry would have a reason to do this, so we can eliminate them.  While Stephen could arguably have been in a suicidal mindset, he would have had no desire to frame the child he loved best, so we can eliminate him, as well.

We can also eliminate Brian Shelby here.  Brian is strictly motivated by power and greed.  He tells Lisa that he does not see Nan as an obstacle to his designs on the Earl cosmetics company, because Nan is planning a design career in New York.  If anything, he sees Grace, and presumably, an exonerated Maggie, as threats.

Remaining Suspects

Therefore, the only suspects who may have motives for both aspects of the crime are the three older Earl sisters: Maggie, Lisa and Grace.

Opportunity

Murder of Stephen Earl

Maggie, Lisa, and Grace all had opportunity to commit the murder, based on the coroner’s timeframe: as early as 7 p.m. on Friday until the body was found at 7 a.m. Saturday morning.  Even though the anonymous note implied the murder occurred at 10 p.m., the note doesn’t prove anything, nor does it matter, since none of the three have alibis until the Friday night meeting at Hill House, at about 10:45 p.m.

Framing of Nan Earl

Framing Nan for the murder was a two-step process: (1) tell Nan to go to Portland to meet Terry on Friday night, so she won’t have an alibi for the murder and (2) plant Nan’s shoes at the crime scene.  Maggie, Lisa, and Grace all had time to tell Nan about Terry’s flight to Portland on Friday.  The shoes could have been planted on the beach at the same time as the murder was committed.

Remaining Suspects

We can’t use opportunity to eliminate any of the remaining three suspects, because all of them had opportunity to both kill Stephen and frame Nan.

Means

Murder of Stephen Earl

The means to kill Stephen is a straightforward matter: a .32 caliber gun.  It’s never found, nor is the owner identified.  So, to our knowledge, all the suspects had means in terms of access to the weapon used. 

Framing of Nan Earl

The means to frame Nan is two-part.  First, a pair of Nan’s shoes, which would be a simple matter for anyone on the yacht or at the hotel, including all three remaining suspects.  Second, knowledge of Terry’s flight to Portland on Friday evening, which is more crucial.

Based on their individual conversations with Jessica, it seems likely that Lisa did not know much about Nan and Terry’s relationship, but that Grace may have known more about Stephen’s interference.  Either way, tough to eliminate either Lisa or Grace on this point.  Also, Grace is, to my mind, conspicuously absent throughout the day on Saturday, which, if intentional to the plot, turns out to be a red herring. 

According to Terry, Maggie told Nan about his arrival in Portland.  Terry isn’t very trustworthy, but he had no reason to lie about this.  In isolation, the fact that Maggie told Nan about Terry’s flight is not incriminating, because at this point in the story, we don’t know that it’s part of a larger plan to frame Nan.  (It is suspicious that Maggie omitted this fact from her confession of the fake death scheme to Amos, however.)

The matter of the flight to Portland becomes more significant once Jessica discovers the shoes left conspicuously half uncovered on the beach. At that point, it’s clear that Nan was intentionally framed, and we know that Maggie is responsible.

J’accuse!

In terms of fair play, this episode delivers.  We have all the information we need to solve the crime at the same time as Jessica does.  And, in case we’re a little slow, this episode gives us a last extra clue before the killer is revealed, Maggie’s pink slip.

What is the point of the blue heel trap?  Jessica already knew Maggie did it.  Was the evidence too weak to arrest and/or convict her?  As I often wonder after watching Jessica coax out a confession, if Maggie had just kept her mouth shut, would she have gotten away with it?

Although it was a tidy way to tie up the episode, I’m glad Maggie’s guilt didn’t hang on the fact that she knew Nan’s shoes were pink.  Why?  Well, there’s this thing about Nan’s shoes.  They’re all pink, every pair.

Nan’s pink loafers on Friday morning
Nan’s pink pumps from the beach
Nan’s pink flats on Saturday afternoon
A closer look at the pink flat, as it’s exchanged for the pump

Episode Rating

I give “Deadly Lady” 3 out of 4 stars. Not perfect, but quite good and definitely worth a watch.

Bonus Features

Do Crimes.

Murder!

  • Motive: Daddy issues (revenge)
  • Weapon: .32 caliber gun
  • Done Deed: Murder happens offscreen.
  • Body: All washed up on Cotter’s Beach
  • Discovery: 23 minutes, 48% through
  • Murderer(s): Maggie Earl

Other Crimes

  • Pseudocide*: Stephen Earl, Maggie Earl
  • Filing a false report: Maggie Earl, Lisa Earl Shelby, Grace Earl Lamont
  • Breaking and entering: Maggie Earl

*Pseudocide is not technically a crime, but it’s almost impossible to fake your own death without also committing fraud, etc.

Psycho Killer

What if Jessica is a very accomplished serial killer? This time, it’s easy to see how she might have done it.  Ralph unwittingly stirs up Jessica’s deep feelings of grief over the loss of her husband, Frank.  Jessica’s emotions get the better of her, and she follows Ralph to the beach and shoots him.  Maggie, who had planned to meet her father at the beach, witnesses his murder.  Maggie’s shock and grief cause her to confuse her role in the fake death scheme with culpability for her father’s actual murder, and so it is a simple matter for Jessica to lure Maggie into a confession.

Tropes, Plot Devices, and Other Conventions

Mystery Tropes

“Deadly Lady” uses one of the most common cozy mystery tropes; a wealthy and disliked patriarch gives all his adult children reason to commit patricide.  Cozy mysteries with this premise abound, but they don’t all aspire to King Lear.

Plot Devices

MSW Tropes

This is the second episode, so all the MSW tropes and conventions still seem fresh and new, even the ones that will quickly become cliché.  I’ve given them all names, and I’ll tag the ones that aren’t so ubiquitous as to happen almost every episode. Yep, I’ve given them Shakespearean names, because I’m pretentious. Take me as I am.

Bait of Falsehood

Often, Jessica will (falsely) claim to have a piece of evidence to lure the murderer into making a confession.  This first time, there’s a little bit of a variation, because Jessica intentionally plants a piece of evidence that she knows the murderer will find to be false.

Confess Thyself

“Deadly Lady” is the first episode in which Jessica intentionally poses as alone and defenseless, to lure the murderer into a confession. This ploy will become so frequent that it will be more remarkable when it’s not used to wrap up an episode.

Door of Truth

Many times, the one thing Jessica needs to put it all together is a seemingly unrelated comment or occurrence.  This time, it’s a soapy sink vortex that makes her think of the eye of a hurricane.

I Play the Villain

There’s a stock character that turns up in many MSW episodes, and I’ll call him (it’s usually a man) the Jerk Who Isn’t The Murderer.  In “Deadly Lady” that jerk is Brian Shelby, although I’ll admit I’d take Brian over Terry any day.

Smile and Smile

Speaking of remarkable when it’s not used, the final freezeframe of this episode is Ethan’s pickup truck, rather than Jessica mugging for a final laugh.

Le Mot Juste

We get some classic Jessica pushbacks this episode:

  • After Brian suggests she’s being nosy about the murder: “And as for my nose, it’s right where it belongs.”
  • In rejection of Terry’s benevolent sexism: “I am familiar with most Anglo-Saxon words, Mr. Jones.”

A great way to make sure you have the last word is to have a bicycle ready for a quick getaway, like Jessica.  Otherwise, I feel like her exchange with Brian might have escalated in an undesirable way. By contrast, Terry, a coward, was well and truly under her thumb.

The English Teacher

I would have loved, loved, loved a Shakespearean reference from Mrs. Fletcher the English teacher this episode.  Well, what’s done is done.  As good luck would have it, it’s more than cold comfort to see Shakespeare himself making an appearance in her parlor. 

He’s behind the plant

 Owning and displaying a portrait of Shakespeare might be the most English teacher-y thing ever.  I wonder what The Bard thought of this episode.

Lear vs. Earl

As I’ve noted already, “Deadly Lady” makes many clear allusions to King Lear.  In that vein, the writers make one very notable departure from Lear by giving Stephen Earl four daughters instead of three.  I’m still pondering whether this choice makes the episode work more effectively.

We can pretty easily match three of the Earl sisters with their Lear counterparts.  Nan is Cordelia, the youngest daughter with the only good relationship with her father.  Lisa and Grace, the two married sisters, are Goneril and Regan.  That singles out Maggie from the start, which I can’t think was the writers’ intention.

Grace and Lisa as a pair

Assuming they weren’t wedded to the title “Deadly Lady,” if the writers felt the need for an additional suspect to add complexity to the narrative, why didn’t they simply include Grace’s husband, Mr. Lamont?  In case you’re foggy about Lear, both Goneril and Regan’s husbands strut and fret their hour upon the stage.  Further, Grace has precious little to do in “Deadly Lady.” It almost feels as if there are more daughters than the writers know what to do with.

Dear readers, it would be absolute heaven if you weighed in on this.  Do four daughters make a better episode than three?

What She Wore

We’re back home in Cabot Cove, and Jessica is a bit more dressed down than she will be in later episodes.  Still, she gives us a little L.L.Bean chic a couple of times.

The shades of red and blue chosen here are very becoming.

The whale sweater is my favorite thing she wears this episode.

Party in the front
… and party in the back.

best look

Nan lives up to her fashion designer aspirations with her white blazer over blue and lavender here, and I love a good cuff bracelet.  It’s very Miami Vice, but refined and timeless enough that it could be worn today.

Least Best Look

Grace wears competing plaids and a taupe sweater vest.  I think her body language says what we’re all thinking about this look.

Interior Motives

The Hill House is in the midst of an identity crisis; the wallpaper says “aggressively beige lobby” but the drapes say “Madame Alexander boudoir.”

The Rest of the Story

In the final scene, we watch Nan get into a cab to embark on the next chapter of her life.  It’s a very long cab ride, all the way to Manhattan and Nan’s dreams of a career in fashion design. 

While Nan is a skilled and talented designer, it’s her father’s reputation and wealth that open doors for her.  Whenever she experiences some success in her career, she can never be sure if it’s because of her talent and hard work, or her status and privilege. 

Nan is overwhelmed and disheartened by the notoriety surrounding her family and the scandal of her father’s murder.  She feels isolated by her wealth and unsought celebrity.  Understandably, Nan also feels alienated from her sisters.  She never fully recovers from Terry’s betrayal, and struggles with trust issues in her romantic relationships.

After a few years of trying to numb her pain with excess, partying, and substance abuse, Nan decides to make some changes in her life.  She finds a good therapist.  She gets sober.  She meets someone in group, Linda, who can relate to the pain and isolation that come from belonging to an extremely wealthy and dysfunctional family.  That Linda is also independently wealthy greatly eases the dynamic of their relationship, and Nan learns to trust again.

Seeking a quieter, more intentional lifestyle, Nan and Linda eventually leave the city for a very comfortable few acres in the Hamptons.  In an effort to become more authentic as an artist, Nan learns knitting, sewing, and leatherworking, so she can make the physical objects she designs, and fully appreciate the craftsmanship and skill required.  Neither Nan nor Linda feels equipped for parenthood, but they adopt what eventually grows into a small menagerie of rescue animals. 

When Lisa and Brian’s marriage ends in a very acrimonious divorce, Nan and Linda’s home becomes a haven for Nan’s nephew, Brian Jr.  Much to his parents’ dismay, Brian Jr. does not go into the family business, but instead studies theology and becomes an ordained minister.  One of the highlights of the Reverend Brian Shelby Jr.’s life is the day he marries his Aunt Nancy and Auntie Linda.  It’s a small, casual ceremony on a Montauk beach at sunrise.  Nan and Linda’s dear friend, Ina, hosts the wedding brunch. 

The Mark of the Earl Cosmetics Company is eventually bought by Unilever.

Extra Credit

Loved “Deadly Lady” so much you’re craving more?  Here are my recommendations:

  • Slings and Arrows: Season 3 is a thoughtful and thorough modern take on King Lear.
  • Agatha Christie’s Hercule Poirot’s Christmas: A wealthy and disliked patriarch is done to death.  There’s even a hint of pseudocide.